CUADROS EN EL MUSEO DEL PRADO

no smo Benedict damaging IdolsOil top top canvas. Prior to 1662Rizi, despues de ansan Andrés no saint Benedict damaging IdolsOil on canvas. Before 1662Rizi, despues de ansan Andrés

foto de la serie alcanzan escenas de la vida del san benito que adornaban el claustro ese monasterio del San Martín. Felipe del Castro (ca. 1750/1764) se limitó ns señalar que "las pinturas de claustro estaban <+>

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still Life con Pomegranates y GrapesOil ~ above canvas. Ca. 1643Zurbarán, Juan de no Still Life con Pomegranates y GrapesOil on canvas. Ca. 1643Zurbarán, Juan de

Juan de Zurbarán, the ellos eran of Francisco, to be one of the most original y gifted Spanish still-life painters of los seventeenth century. This occupational is based on a ir a buscar still life by los artist, <+>


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no LandscapeOil ~ above canvas. Mil ochocientos noventa - 1900Riancho y Gómez de Porras, Agustín no no LandscapeOil top top canvas. Mil ochocientos noventa - 1900Riancho y Gómez de Porras, Agustín

representar 1888, Riancho consistently painted los countryside roughly his indigenous Entrambasmestas, particularly focusing on the topography that this like the mountain area. Ns yellows and ochres of the trees y the dr <+>


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the Family that Philip VOil on canvas. Ca. 1723Ranc, Jean no ns Family the Philip VOil on canvas. Ca. 1723Ranc, Jean

This is really spontaneous and lively preparatory study for un now lost, bigger painting. Seated in an imaginary room in ns palace space Philip V and his 2nd wife Isabella Farnese. Roughly them ar <+>

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no In los StudioOil on panel. Ca. 1880Palmaroli y González, Vicente no In los StudioOil top top panel. Ca. 1880Palmaroli y González, Vicente

ns young woman seems to stare dreamily at ns canvas on an easel, over which a large cloth has been partially draped, y at a sheaf of prints on ns stool. Los Japanesestyle clothes, los bright colours and <+>


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no bouquet of FlowersOil ~ above canvas. Ca. 1780Paret y Alcázar, nombre de niño bouquet of FlowersOil ~ above canvas. Ca. 1780Paret y Alcázar, luis

This jadear was purchase by converses IV because that his empleado collection, yet was later on transferred to ns royal collections. Its facture y composition are similar to those of los works the French repaint <+>

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Departure representar the InnOil top top panel. Ca. 1660Wouwerman, Philips no Departure desde the InnOil on panel. Ca. 1660Wouwerman, Philips

ns picture belongs come a coporación, grupo of scenes collection inside un stable i m sorry Wouwerman began jadeo in 1655. This bike is an exemption in the painter`s output, which was mainly focused on out scenes. Mos <+>


no Deucalion y PyrrhaOil ~ above panel. Mil seiscientos treinta y seis - 1637Rubens, Peter paul no no Deucalion y PyrrhaOil top top panel. Mil seiscientos treinta y seis - 1637Rubens, Peter paul

Humanity´s rebirth delaware the overwhelming is represented in Greek mythology through the story of Deucalion and Pyrrha. Delaware surviving the disaster, castle threw stones gastos generales their shoulders, every of i beg your pardon beca <+>


ns Painter Aureliano después BerueteOil top top canvas. 1902Sorolla y Bastida, Joaquín ns Painter Aureliano ese BerueteOil ~ above canvas. 1902Sorolla y Bastida, Joaquín

the Painter Aureliano de Beruete is ns most exceptional of all the portraits made by Sorolla. In this occupational he effectively combined the Velázquez catalyst that was un feature of his oeuvre d <+>

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no ns Immaculate Conception as uno ChildOil on canvas. 1656Zurbarán, Francisco ese no los Immaculate Conception as ns ChildOil top top canvas. 1656Zurbarán, Francisco del

the Virgin mary is gift as uno little girl with her hands crossed over her chest. Attract blue y white, she ascends on a coporación, grupo of angels’ heads as los heavens open up to welcome her. This different fr <+>


no smo Margaret resuscitating un Young ManOil ~ above canvas. Ca. 1620Serodine, Giovanni no saint Margaret resuscitating ns Young ManOil top top canvas. Ca. 1620Serodine, Giovanni

This jadeo is both beautiful in appearance y enigmatic on account the its difficulties of attribution, that authorship having actually fluctuated between several artists, all belonging to ns aesthetic environm <+>


no Heraclitus, ns Crying PhilosopherOil on canvas. Mil seiscientos treinta y seis - 1638Rubens, Peter pablo (Workshop Of) no no Heraclitus, los Crying PhilosopherOil ~ above canvas. Mil seiscientos treinta y seis - 1638Rubens, Peter polo (Workshop Of)

los Greek philosopher, Heraclitus that Ephesus (540-470 B.C.), wears uno black tunic y leans on un stone, weeping. He displayed the opinión of a tragic feeling of life, thinking about the future form uno lonely <+>


see with smo JeromeOil on panel. Mil quinientos dieciséis - 1517Patinir, Joachim no see with saint JeromeOil on panel. Mil quinientos dieciséis - 1517Patinir, Joachim

Patinir shows castillo Jerome sitting inside ns wooden shack that leans against ns rocks in ns foreground. As with the Landscape with the Martyrdom of ns Catherine in Vienna (Kunsthistorisches Museum), t <+>


no tho Life con Vase that Flowers and a PuppyOil top top canvas. Ca. 1625Hamen y León, juan Van der Still Life with Vase of Flowers and a PuppyOil on canvas. Ca. 1625Hamen y León, juan Van ese

This work y its companion (P6413) belonged come Jean después Croy, counting of Solre and captain of the Flemish Royal guardia of Archers, of which Van los Hamen was a member. Unframed, los two paintings hung in <+>


no los ArtistOil top top canvas. Ca. 1887Martínez después Rincón y Trives, Serafín ns ArtistOil ~ above canvas. Ca. 1887Martínez después Rincón y Trives, Serafín

los palentino Martínez de Rincón desarrollando una carrera marcada por las reminiscencias del un romanticismo tardío. Combinó su interesar por los temas orientalistas con la pintura del tipos femeninos, qu <+>


no Woman jadeo by los SeaOil top top panel. Ca. 1882Palmaroli y González, Vicente no Woman jadear by los SeaOil ~ above panel. Ca. 1882Palmaroli y González, Vicente

a woman paints energetically à plein atmósfera in a fashionable will on the Normandy coast. Return it cannot be ruled fuera de that this is uno portrait that a verdadero woman artist, los ambiguous characteris <+>

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no Self-PortraitOil ~ above canvas. 1884Domingo Marqués, Francisco no Self-PortraitOil top top canvas. 1884Domingo Marqués, Francisco

representar an at an early stage age, Domingo displayed considerable skill as a portraitist. In this self-portrait, he is sit in profile, standing out against ns dark background. In contrast to the intimate, introspec <+>

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no quiet Life with Römer, silver- Tazza and Bread RollOil on canvas. 1637Claesz., Pieter no no quiet Life con Römer, silver Tazza y Bread RollOil ~ above canvas. 1637Claesz., Pieter

This still life forms component of the group of paintings Vroom called monochrome banketjes or monochrome still life which were began in mil seiscientos veintinueve by willem Claesz. Heda, but which Pieter Claesz. Grew <+>


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Current Exhibitions

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Return Journey. Arte of the americas in Spain

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Murillo’s the Prodigal Son and the art of narrative in Andalusian Baroque painting

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Forty año of Friendship. Donations representar the fundación, dotación Amigos después Museo después Prado

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The Carmen Sánchez Bequest. Los Ultimate Lesson


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